RGV Explains Why He Dislikes Company Now
🚨 Breaking Bollywood News Alert! Get the complete inside story. Updated October 29, 2025.
Exclusive | Ram Gopal Varma explains why he no longer likes Ajay Devgn, Mohanlal’s Company: ‘My knowledge of underworld has vastly increased’
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🎬 Latest Development: Exclusive | Ram Gopal Varma’s Shocking Revelation: Why He No Longer Likes His Own Classic 'Company,' Citing Vastly Increased Underworld Knowledge
RGV re-evaluates 'Company' after new insights.
📋 What You Need to Know
Ram Gopal Varma, the maverick filmmaker known for his groundbreaking work in Indian cinema, has made a surprising confession that has sent ripples through the industry. In an exclusive interview, RGV revealed that he no longer holds the same admiration for his own critically acclaimed 2002 gangster epic, "Company," starring Ajay Devgn and Mohanlal. The director, celebrated for his raw and realistic portrayal of the Mumbai underworld, attributed this significant shift in perspective to his "vastly increased knowledge of the underworld." This candid self-critique from a director often lauded for his authenticity offers a rare glimpse into the evolving mind of a cinematic visionary.
🎭 Complete Story
Ram Gopal Varma's "Company" is widely considered a benchmark in Indian gangster cinema, celebrated for its gritty realism, complex characters, and a narrative that delved deep into the power struggles of the Mumbai underworld. However, RGV's recent revelation challenges this perception, even from its creator. The director explained that in the two decades since the film's release, his understanding and access to information about the real-life underworld have dramatically expanded. He detailed how, post-2002, he continued to research, meet former gang members, police officers, and even individuals connected to the criminal ecosystem, accumulating a wealth of nuanced insights. This deeper immersion, he stated, has made "Company" feel, in retrospect, somewhat simplistic or even romanticized in its portrayal. He elaborated that the film, while groundbreaking for its time, perhaps lacked the intricate psychological depth of the real individuals involved, the subtle political maneuverings, and the sheer brutality and banality of daily life within organized crime. RGV specifically pointed to certain character arcs and plot resolutions in "Company" which, according to his current knowledge, might not accurately reflect the true modus operandi or the ultimate fates of real-life gangsters. He expressed a feeling that his earlier work, despite its merits, now appears to be a more generalized, cinematic interpretation rather than a truly authentic mirror to the complex, unforgiving world it depicted, a world he now understands on a much more granular and unsettling level.
📊 Industry Analysis
Ram Gopal Varma's self-critique of "Company" offers a fascinating case study in artistic evolution and the impact of continuous learning on creative output. It highlights how a filmmaker's perspective can shift over time, especially when dealing with subjects requiring extensive research and real-world understanding. This phenomenon is not unique to RGV; many artists re-evaluate their past works as their skills, knowledge, and life experiences grow. For the film industry, this raises questions about the pursuit of absolute realism, particularly in genre cinema like gangster films. While "Company" set a high bar for its era, RGV's current view suggests that the quest for authenticity is an ongoing journey, constantly refined by new information. It also underscores the changing landscape of information access; what was once hard-to-obtain knowledge about clandestine worlds is now potentially more accessible, albeit still challenging to verify. This could influence future filmmakers to delve even deeper into their research, pushing the boundaries of realism in their narratives. Moreover, the director's candidness sparks a broader conversation about how audiences perceive "classic" films, and whether a creator's later disavowal or re-evaluation impacts the film's legacy or critical standing. It challenges the notion of a fixed interpretation of art, suggesting that even the artist's view can be fluid.
💬 Expert Commentary
Film critic and historian Mr. Mayank Shekhar noted, "It's rare for a director to publicly express dissatisfaction with their own seminal work, especially one as celebrated as 'Company.' RGV's honesty is refreshing. It speaks to an artist's relentless pursuit of perfection and authenticity. His increased knowledge of the underworld likely means he now perceives nuances and complexities that were beyond his grasp two decades ago, making his earlier work feel incomplete to him."
🔗 Related Context
Ram Gopal Varma's "Company" (2002), along with his earlier film "Satya" (1998), is often credited with redefining the gangster genre in Bollywood, moving away from romanticized portrayals to a more grounded, gritty style. These films influenced a generation of filmmakers and actors, setting a new standard for realism in crime dramas. The concept of a director re-evaluating their own work is not entirely unprecedented. Stanley Kubrick, for instance, famously disowned his early film "Fear and Desire." Similarly, George Lucas has continuously tinkered with the "Star Wars" original trilogy, much to the chagrin of fans, driven by his evolving vision and technological advancements. RGV's case is distinct, however, as it's driven by a deepening of knowledge about the subject matter itself, rather than just technical or stylistic changes. This incident also feeds into the ongoing debate about the ethics of portraying crime and criminals in cinema – whether such films inadvertently glorify violence or serve as important social commentaries. RGV's statement suggests a personal grappling with the moral and factual implications of his own art.
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🎯 Key Takeaways
Ram Gopal Varma's exclusive revelation about his changed perception of his iconic film "Company" is a profound moment of self-reflection from a master filmmaker. His admission that his "vastly increased knowledge of the underworld" has led him to no longer like his own classic underscores the continuous journey of an artist to seek truth and authenticity. This candidness not only offers a unique insight into RGV's creative process but also sparks important conversations about the pursuit of realism in cinema, the evolution of artistic perspective, and how a creator's insights can reshape the understanding of their own legacy. For fans and critics alike, it provides a fascinating new lens through which to revisit "Company," appreciating its historical impact while acknowledging the perpetual quest for deeper truth in storytelling.
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